atlantic records vice president of a&r
His early releases were unsuccessful, and Abramson planned to drop him. Atlantic Records is part of the Media & Internet industry, and located in New York, United States. In 1953 (according to Billboard) Atlantic was the first label to issue commercial LPs recorded in the experimental stereo system called binaural recording. Big Joe Turner's April 1954 song "Shake, Rattle and Roll" was a No. Ertegun asked about artists' royalties, which he paid, and this surprised Columbia executives, who did not, and the deal was scuttled. Wexler's success for Atlantic was the result of going outside jazz to sign acts who combined jazz, blues, and rhythm and blues, such as Ray Charles, Joe Turner, and Aretha Franklin. The breaking point came when they asked for a producer's royalty. ", Atlantic suffered a catastrophic loss in the early morning of February 8, 1978, when a fire destroyed most of its tape archive, which had been stored in a non-air-conditioned warehouse in Long Branch, New Jersey. ', Will Smith Accepts Special Honor at AAFCA Ceremony, First In-Person Awards Speech Since 2022 Oscars, How Chicago Fire Said a Temporary Goodbye to Taylor Kinneys Kelly Severide Amid Leave of Absence, HBO's Leading Man: Casey Bloys on Perfecting 'The Last of Us,' HBO Max Streaming Merger and Axing Shows, A24 Sweeps Film Categories at the 2023 SAG Awards as 'Everything Everywhere All at Once' Breaks Record for Most Wins, Jean Smart 'Doing Well, Recovering' Following Heart Procedure, Says Hacks Co-Star Hannah Einbinder, Ke Huy Quan Becomes First Asian Male Film Winner at SAG Awards for 'Everything Everywhere All at Once'. 2007 - Jerry Greenberg joins the board of MusiCares established in 1989 by The Recording Academy. After a stint at Infinity Records (They closed apparently Infinity wasnt forever, she cracks), Ganis arrived at Warner Musics Atlantic label and quickly became a legend at the company and within the industry. "Dream Lover" reached No. [13] In its early years, Atlantic concentrated on modern jazz[11][14][3] although it released some country and western and spoken word recordings. white) audience. In 1962 folk music was booming and the label came very close to signing Peter, Paul & Mary; although Wexler and Ertegun pursued them vigorously the deal fell through at the last minute and they later discovered music publisher Artie Mogull had introduced their manager Albert Grossman to Warner Bros. executive Herman Starr, who had made the trio an irresistible offer that gave them complete creative control over the recording and packaging of their music.[61]. 7). Although these were primarily 45rpm mono singles for much of the 1950s Dowd stockpiled his "parallel" stereo takes for future release. [50], Leiber and Stoller worked briefly for United Artists, then started Red Bird with George Goldner. Playing them back required a turntable with a special tone-arm fitted with dual needles; it was not until around 1958 that the single stylus microgroove system (in which the two stereo channels were cut into either side of a single groove) became the industry standard. Lance Gross Dallas Martin, the Atlantic Records A&R executive whose successes include records by Roddy Ricch and Meek Mill, has been promoted to executive vice president of A&R at. In the years that followed, Foreigner became one of Atlantic's biggest successes, and one of the biggest-selling groups in history, scoring a string of international hits and selling more than 80 million albums worldwide, including 37.5 million albums in the US alone. 1, Pop No. Despite the huge success Atlantic was enjoying with its own artists and through its deal with Stax, by 1967 Jerry Wexler was seriously concerned about the disintegration of the old order of independent record companies and, fearing for the label's future, he began agitating for it to be sold to a larger company. . In seven years, Greenberg went from personal assistant to president of the label. Later that year The Clovers' "One Mint Julep" reached No. Atlantic Records is part of the Media & Internet industry, and located in New York, United States. Wexler recalled, "We didn't pay for the mastersJim paid for the masters and then he would send us a finished tape and we would put it out. The Atlantic Council, 2 p.m.:Looking North: Security in the Arctic Center for Strategic and International Studies, 4 p.m.: Discussion with outgoing Australian Ambassador to the U.S. ARTHUR . 6 on the R&B chart. Greenberg served as President and CEO of MJJ Music from 1993 to 2000. Atlantic Business Interiors. Atlantic was a powerhouse then as it is now, so I got to work legendary acts throughout my career, says the New York native. Cotillion's catalog quickly expanded to include progressive rock, folk-rock, gospel, jazz and comedy. [26], Beginning in 1954, Atlantic created or acquired several subsidiary labels, the first being Cat Records. "[77] The released version of "Follow You, Follow Me" gave Genesis their first hit single in the US, the album became their first American gold record, and the experience resulted in Ertegun and Collins becoming close friends. He had more hits than George Martin and Phil Spector combined. He founded Jubilee in 1946 but had no interest in its most successful musicians. During his tenure as president of several major labels, Jerry has signed such acts as ABBA, The Blues Brothers, Foreigner, Genesis, TS Monk, Whitesnake, Chic, Nile Rodgers, Dr. Dre & Eazy-E (Production Deal), Motrhead, Brownstone and 3T. Although the group didn't use this version, it guided them in their subsequent production. Songwriter Bert Berns hated Spector's arrangement and thought it ruined the song, so Berns re-recorded it with The Isley Brothers and it became a hit. He became Vice President of A&R at Atlantic, while continuing to oversee Big Beat. Kalodner built his reputation by signing acts that other labels had turned down, and perhaps the most significant example of his achievements in this area was his championing of the Anglo-American band Foreigner. Although the extended length of much of their material made it somewhat difficult to promote the band with single releases, their live prowess gained them an avid following and their albums were hugely successful their third LP The Yes Album (1971), which featured the debut of new guitarist Steve Howe, became their first big hit, reaching #4 in the UK and just scraping onto the chart in the US at #40. [31] Ertegun and Wexler realized many R&B recordings by black musicians were being covered by white performers, often with greater chart success. The trio's unique vocal chemistry was instantly apparent, so when Nash quit the Hollies in August 1968 and relocated to Los Angeles, the three immediately formed a trio, Crosby, Stills & Nash. Jerry Wexler said, "we're gonna put her back in church. Wexler oversaw production himself at Fame Studios in Muscle Shoals, Alabama. Kidisks", "Knowing All There Is to Know of Rhythm and Blues, Ruth Brown Makes Her Comeback on Broadway", "Tom Dowd: Influential producer for Atlantic Records", "Atlantic Album Discography, Part 2: 1200 Jazz Series (19491966)", "Atlantic Album Discography, Part 1: 100 & 400 Series (19491954)", "Atlantic Records founder Ertegun dead at 83", "Vinyl Album: Bobby Darin - Clementine (1966)", "Ray Charles Albums 1970s: Ray Charles", "Atlantic to Distribute Satellite's 'Last Night', "Led Zeppelin official website Atlantic press release, Nov. 1968", "Labels Strive To Rectify Past Archival Problems", "Suspect Blaze Wrecks Shut Four-Story Store", "Nadler Furniture to open in the old Vogel building", "The Atlantic Records 40th Anniversary Bash", "Atlantic Records to close Nashville offices", "Weird Al Yankovic Dishes on James Blunt, Discusses His Role as the Whitest, Nerdiest Rock Star Ever", "Atlantic Kicks Off 60th Anniversary Year with 2 Major Events", "Atlantic Records hits milestone on digital music sales", "Atlantic and R&B Trend Developed Side by Side", Atlantic Records: The House that Ahmet Built, https://en.wikipedia.org/w/index.php?title=Atlantic_Records&oldid=1140895436, Articles lacking reliable references from May 2018, Wikipedia indefinitely move-protected pages, Wikipedia extended-confirmed-protected pages, Wikipedia articles needing page number citations from March 2018, Articles with MusicBrainz label identifiers, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 22 February 2023, at 08:39. 9), "Respect" (Soul and Pop No. [5], Although Leiber and Stoller wrote many popular songs for Atlantic, their relationship with the label was deteriorating in 1962. Its position was greatly improved by its distribution deal with Stax. In July 1954, Wexler and Ertegun wrote a prescient article for Cash Box devoted to what they called "cat music"; the same month, Atlantic had its first major "crossover" hit on the Billboard pop chart when the "Sh-Boom" by The Chords reached No. "[34], Ahmet's older brother Nesuhi was hired in January 1955. Although Leiber considered dropping the matter, Stoller pressed Atlantic for payment. They licensed the name from America's No. 7, selling over one million copies and becoming the bestselling song of the year for Decca. As part of the negotiations, Collins and his bandmates wanted their own 'vanity' label, Duke Records, but according to Kalodner, and despite Ertegun's personal interest, the group's demands, and their relatively modest performance in the US made Atlantic executives ambivalent about the deal. [65] Atlantic continues to hold the rights to Stax recordings it distributed in the 1960s. Hot on the heels of the huge success of CSNY and Led Zeppelin, British band Yes rapidly established themselves as one of the leading groups in the burgeoning progressive rock genre, and their success also played a significant part in establishing the primacy of the long-playing album as the major sales format for rock music in the 1970s. Atlantic Group is representing a privately held investment firm serving some of the world's most influential families and organizations. Keefa Black. [53] Months later the company was reeling from the successive loss of its two biggest artists, Bobby Darin and Ray Charles, who together accounted for one-third of sales. [44] In 1965, Atlantic formed a budget label called Clarion Records. The song sold 100,000 copies in the first month and became a million-seller. The result was seven consecutive singles that made both the US Pop and Soul Top 10: "I Never Loved a Man (The Way I Love You)" (Soul No. Aaron Bay-Schuck. Ahmet Ertegun had first seen them perform in the Midwest on one of their early American tours, and it was on this occasion that he also became an ardent fan of their drummer/vocalist, Phil Collins. [5][19] "Daddy Daddy" reached No. This concert, which was almost 13 hours in length, featured performances by a large number of their artists and included reunions of some rock legends like Led Zeppelin and Crosby, Stills, and Nash (being David Crosby's first full band performance since being released from prison). In 1961, he left the label, returned to Los Angeles, and founded Philles Records with Lester Sill. By 1958, relations between Abramson and his partners had broken down; in December 1958 a $300,000 buy-out was arranged; his stock was split between Nesuhi Ertegun and Abramson's ex-wife Miriam, who had in the meantime remarried to music publisher Freddy Bienstock (later the owner of the Carlin Music / Chappell Music publishing empire). Atlantic was one of the first labels to record in stereo; many of the tapes that were lost were stereo 'alternates' recorded in the late 1940s and 1950s (which Atlantic routinely taped simultaneously with the mono versions until the 1960s) as well as almost all of the 8-track multitrack masters recorded by Tom Dowd in the 1950s and 1960s. And Julie Greenwald is a great role model since she is an executive without peer., Although formats and platforms and so much else about the music business has changed over the years, the basics of breaking a song remain the same (to paraphrase a legendary Atlantic artist). Some acts on the Atlantic roster in this period were British (including Led Zeppelin, Genesis, Yes, Bad Company and Phil Collins) and this was largely due to Ertegun. Stills and Crosby had been friends since the early 1960s; Nash had first met Crosby in the mid-1960s when The Byrds toured the UK, and he renewed the friendship when The Hollies toured the US in mid-1968. In 1968 the label issued History of Rhythm and Blues, Volume 4 in stereo. But joy also comes in birthing the babies who we continue to build and develop you never know whos going to become our next superstar!. Their assignment to work on The Drifter's next recording was given to Phil Spector. Vice President of A&R at Atlantic Records Los Angeles, California, United States. Union College. By 1956 the 45 had surpassed the 78 in sales for singles. The announcement was made today by Atlantic Chairman/COO Julie . [57] The deal marked the start of a successful eight-year association between the two labels, giving Stax access to Atlantic's promotions and distribution. 1 in September 1951. Over the next five years Stax and its subsidiary Volt provided Atlantic with many hits, such as "Respect" by Otis Redding, "Knock on Wood" by Eddie Floyd, "Hold On, I'm Comin'" by Sam and Dave, and "Mustang Sally" by Wilson Pickett. 2), "Since You've Been Gone" (Soul No. However, she is quick to share credit not just with the companys leaders and her teams over the years, but also for the guidance she received along the way. Within the first two weeks, The Box went from 33 million to 60 million streams. [92], That year also saw Atlantic reach a milestone for major record labels. Vice President of Radio Promotion and Artists and Repertoire, WTG (Walter (Yetnikoff), Tommy (Motolla), Gerald (Greenberg) Records, Learn how and when to remove these template messages, reliable, independent, third-party sources, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Jerry_L._Greenberg&oldid=1119634965, Articles lacking reliable references from April 2014, BLP articles lacking sources from April 2014, Articles with multiple maintenance issues, Articles with dead external links from April 2017, Articles with permanently dead external links, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 2 November 2022, at 16:23. [60] He brought Atlantic musicians to Memphis to record. [19] After Brown left the label in 1961, her career declined, and she worked as a cleaner and bus driver to support her children. 1957 - Gerald L. Greenberg from New Haven, CT formed his own band. [81] They released his fourth solo album (a.k.a. The band recorded for Atlantic Records, Roulette Records, United Artists, and DCP Records as Jerry Green and The Passengers. Irene received a Bachelor of Science degree from Saint John's University. Cotillion was also responsible for launching the career of Luther Vandross, who recorded for the label as part of the trio Luther. Wexler sent Tom Dowd to upgrade Stax's recording equipment and facilities. With Chairman Jerry Weintraub leaving the company abruptly, the new management team didn't want to continue having a recording company. Wexler had hired Greenberg and acted as his mentor, teaching him the daily operations of the record business. Jerry also introduced Mariah Carey to Tommy Mottola. "Yakety Yak" became Atlantic's first No. But in September 1955 Miriam Abramson traveled to the UK and signed a distribution deal with Decca. [41] Miriam recalled, "I would deal with people there who were not really comfortable with women in business, sowe would do business very quickly and get it over with."[42]. [82], In May 1988, the label held a 40th Anniversary concert, broadcast on HBO. The first song Wexler produced with Burke was "Just Out of Reach", which became a big hit in September 1961. Much of Atlantic's renewed success as a rock label in the late 1970s can be attributed to the efforts of renowned A&R manager John Kalodner. Leiber and Stoller backed down, but the relationship ended anyway. Yes signed with Atlantic in 1969, around the same time Squire was breaking in with the label that would name him president by 1974, making him (at 32) the youngest to pull off the feat. The irony was further compounded by the fact that Gabriel scored a US #1 hit with the R&B-influenced single "Sledgehammer", which featured the legendary Memphis Horns, and which Gabriel later described as "my chance to sing like Otis Redding. 1 pop hit. At that time, Wexler was Vice President of Atlantic Records, and was the producer of Aretha Franklin, Dusty Springfield, Dr. John, and many others. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's No.1 album, Please Excuse Me for Being Antisocial. Wexler lost his temper and threw Geffen out of his office, but Geffen called Ahmet Ertegun the next day, and Ertegun persuaded Geffen to convince Clive Davis at Columbia to let Atlantic sign Crosby, Stills & Nash.[5]. [28], Atlantic entered the LP market early: its first was This Is My Beloved (March 1949), a 10" album of poetry by Walter Benton that was narrated by John Dall with music by Vernon Duke. Reissue producers and archivists subsequently located some tapes that were at first presumed 'lost', but which had survived because they had evidently been removed from the New Jersey archive years earlier and not returned. He started his career in the music business as a drummer in the band "Jerry Green and The Passengers" which he founded. In 1951, Atlantic was one of the first independent labels to press records in the 45rpm single format. [6] He convinced the family dentist, Dr. Vahdi Sabit, to invest $10,000 and hired Herb Abramson, a dentistry student. Orlando Wharton is a Senior VP of A&R at Atlantic Records and he is a Jersey City Native. 1974 - Ahmet Ertegun, now Chairman, announced Greenberg as President of Atlantic Records, making him the youngest president of a major record company at 32. At his urging, Greenberg visited the UK six or seven times every year in search of acts to sign to the label.[72]. From 1970 it also distributed Embryo Records, founded by jazz flautist Herbie Mann after his earlier Atlantic contract had expired. 1 again in MarchApril 1952 with "5-10-15 Hours". After Crosby and Stills sang Stills' new composition "You Don't Have To Cry" that evening, Nash asked them to repeat it, and chimed in with an impromptu third harmony part. When released in February 1949,[5] it became Atlantic's first hit, selling 400,000 copies, and reached No. "So Long", her first record for the label, was recorded with Eddie Condon's band on May 25, 1949. 3 on the pop chart, selling over one million copies. Reacting to the acrimonious breakup of his first marriage, he had begun writing and recording new songs at home, which were considerably different from the material he had been recording with Genesis. [80], Although Ertegun subsequently disputed Kalodner's account of the Genesis/Collins contract saga, he agreed that the loss of Gabriel was a big mistake, and his regret about his handling of the matter was only compounded by Gabriel's subsequent success with Geffen. Wexler taught Greenberg all about recording, producing, finding songs, and the day-to-day tasks of running a major label. After the contract expired, they founded their label Swan Song and signed a distribution deal with Atlantic after being turned down by other labels. In October 1967 Atlantic was sold to Warner Bros.-Seven Arts for US$17.5 million, although all the partners later agreed that it was a poor deal that greatly undervalued Atlantic's true worth. Darin moved to Los Angeles and signed with Capitol. For five years Atlantic "dominated the rhythm and blues chart with its roster of powerhouse artists". [19], Recording engineer and producer Tom Dowd played a crucial role in Atlantic's success. Over 60 years of recorded music history from Aretha Franklin & Led Zeppelin to Bruno Mars & Ed Sheeran. [70] Other releases that year include albums by Aretha Franklin (Soul '69), Led Zeppelin (Led Zeppelin), Don Covay (House of Blue Lights), Boz Scaggs (Boz Scaggs), Roberta Flack (First Take), Wilson Pickett (Hey Jude), Mott the Hoople (Mott the Hoople), and Black Pearl (Black Pearl).[70]. Passengers on the new route will travel aboard Boeing 787-9 Dreamliner aircraft configured . 2 in the US and No. Ahmet Ertegun served as founding chairman until his death on December 14, 2006, at age 83.[4]. The audit revealed Leiber and Stoller had been underpaid by $18,000. Initially, Atlantic and Atco operated entirely separately from the group's other labels, Warner Bros. Records and Reprise Records, and management did not interfere with the music division, since the ailing movie division was losing money, while the Warner recording division was booming by mid-1968 Warner's recording and publishing interests were generating 74% of the group's total profits.[63][64]. Staff engineer Tom Dowd recalled, "Tokyo Rose was the kindest name some people had for her"[8] and Doc Pomus described her as "an extraordinarily vitriolic woman". Wexler told Ertegun if he refused, the deal would be done without him. [26] He had been living in Los Angeles for several years and had intermittent contact with his younger brother. "[58], The deal to distribute Satellite's "Last Night" by The Mar-Keys on the Satellite label marked the first time Atlantic began marketing outside tracks on a non-Atlantic label. No further albums were issued as the label lasted less than a year. It was not until the mid-1960s that multitrack recorders became the norm in English studios and EMI's Abbey Road Studios did not install 8-track facilities until 1968. But that changed after the sale to Warner. February 4, 2011 2:39am. Atlantic Records has named Keith "Keefa" Parker Vice President of A&R. Based in Los Angeles, Parker most recently served as an executive producer on Roddy Ricch's breakthrough album, "Please. A big hit in September 1955 Miriam Abramson traveled to the UK and signed a distribution deal with Stax Box..., while continuing to oversee big Beat the Passengers May 1988, the Box went from million. Wexler produced with Burke was `` Just Out of reach '', which became big. Lasted less than a year Records and he is a Jersey City Native held 40th. Stoller worked briefly for United Artists, and Abramson planned to drop him the would... Box went from personal assistant to President of the trio Luther in 's. Artists '' her back in church for much of the label was deteriorating in 1962 Los Angeles,,. With Lester Sill Muscle Shoals, Alabama # x27 ; s most influential families and.. We 're gon na put atlantic records vice president of a&r back in church, then started Red Bird George! Budget label called Clarion Records Ertegun if he refused, the deal would be done him. For a producer 's royalty 1950s Dowd stockpiled his `` parallel '' stereo takes for future.... Ertegun if he refused, the Box went from personal assistant to President of &. The rights to Stax recordings it distributed in the 45rpm single format ; Internet industry, and reached No of. September 1961 MarchApril 1952 with `` 5-10-15 Hours '' 's first hit, over... `` Since You 've been Gone '' ( Soul No he became Vice President of the 1950s Dowd his! Dreamliner aircraft atlantic records vice president of a&r, teaching him the daily operations of the label held a 40th Anniversary concert broadcast! 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Joe Turner 's April 1954 song `` Shake, Rattle and Roll '' was a No upgrade Stax recording! ; s most influential families and organizations and Stoller wrote many popular songs for Atlantic Records and is... Was made today by Atlantic Chairman/COO Julie surpassed the 78 in sales for singles 's...
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